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On the World Fusion Show (2022)

A 3-part interview on the World Fusion Show with Derrik Jordan in 2022. There’s a lot of music too…

« Steve Shehan, composer, percussionist and multi-instrumentalist, is legendary for his pursuit of World Music throughout his life. He used his pilot’s license to travel to far flung places and meet musicians and bring back instruments. He has worked with Paul Simon, Paco de Lucia, John McLaughlin and many more. He has made many recordings which feature his innovative World Fusion creations starting in 1987 with his album ‘Arrows’ […] »

Part 1

Part 2

Part 3

These interviews are available on SoundCloud too.

The World Fusion Show
The World Fusion Show by Derrik Jordan
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Documentaire « Hang, révolution discrète »

Steve Shehan - hang

« Hang, révolution discrète » est un documentaire, filmé par Thibaut Castan et Véronice Pagnon en 2006.

Il raconte les toutes premières années d’existence du Hang, instrument créé en Suisse par Felix Rohner and Sabina Schärer. En partant des premières échoppes d’instruments de musique où l’on pouvait le trouver jusqu’en 2005, les auteurs retrouvent le Hang chez les musiciens de rue à Barcelone et remontent sa trace jusqu’à ses origines à Berne en Suisse.

Au travers d’interviews des concepteurs, on découvre la première génération de Hangs conçus et accordés dans l’atelier PANArt, puis on écoute la position de nombreux musiciens, joueurs de cet instrument, avant de finir avec un regard sur la génération suivante de Hangs produite à partir de 2006.

Hang, révolution discrète (en anglais)

Version française ici

Rechercher « Hang » sur ce blog

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« The unexpected became a profession » (podcast)

Steve Shehan - hang + hands

Was recently interviewed by Sylvain Paslier, a young French-American handpan enthusiast, for his Handpan Podcast. Listen below:

Actually It’s 1998, Mark Steward handing me a hang drum. I think it was in San Francisco. It was maybe a prototype, but it was, it was interesting. It was unexpected. 1998. That was early. So was my first introduction to the hang drum and then coming back to France. 2002-2003 I met. Oh, I had a friend called Jimmy Braun. Maybe if you heard about him, he introduced me to Felix and Sabina to the Hang and to different possibilities that we would find with them. So talking about different scales and they did send me a shipment, six or seven, I don’t know, five or six Hang Drums, first generation. That was, that was the moment. I mean like it was fascinating. I mean this instrument was a real revolution. It would change a lot of things, you know, for nomads. And in terms of the musical approach right away, I knew it would be a major change in both in a good way and a strange way maybe. But I was facing an instrument that was possibly revolutionary. I mean, no electronics carry-able, you know, you need to carry around like elegant. I dunno. Nice scales, easy to sort of, you know, cope with or dive in what it made possible. So that was really interesting, by the way. So, so I was fascinated. I thought it was, yeah. Something new.

Podcast’s full transcript